Let's begin by recognizing why this character is an important one in the film. He is the only other child in the film besides Karin. Ironically enough, he shares in her youthful innocence. Their differences in upbringing has caused a definite distinction between the two. However, the boy did not knowingly assist in the act of Karin's murder. In the beginning he does as his brothers do, but when the the situation takes a turn for the worst the boy is mortified.
In addition to this, the boy is the only one of the three brothers who shows genuine remorse for the death of Karin. When he is left alone with her he does something bizarre- he throws dirt on top of her. Seeing her as a human being instead of an object as his brothers do, he makes a vain attempt to bury her. What an odd thing to do for someone of his upbringing. He has been taken care of by two people who seemingly have no moral principles or good virtues. So why is it that this boy has done something so genuine and quite frankly so innocent?
Finally, the boy shows remorse. Yet another distinction between him and his brothers. He is also the only one who begins to realize that this is the home of the girl his brothers killed. Although it is not directly shown, it can be implied through the boy's actions while eating the soup. This is the same soup that Karin had shared with him beforehand. In his confusion and his guilt, he spills the soup on the table. Again, why is this action so important? What is it that makes the boy's character so significant? Finally, I'll get to 'splainin (that's country talk for 'explaining').
Karin's father maliciously kills the boy's two older brothers in his blind rage at the death of his daughter. There is not hesitance in the taking of their lives.
However, when Karin's father throws the boy at the wall and subsequently
kills him, there is a moment where the father feels remorse. We can
relate the death of this boy and the wrath of Karin's father to Girard's
viewpoints on sacrifice and vengeance.
Within the presence of the boy in the film, the father would have never recognized the error of his ways. The viewer quite probably sees the death of the two elder brothers as 'justice served'- however, there are mixed feelings about the death of the boy. By Girard's standard, sacrifice is "an act of violence inflicted on a surrogate victim." Furthermore, "all victims... bear a certain resemblance to the object they replace." The boy's death juxtaposes the death of Karin. Karin's father immediately realize that he is no better than the men who killed his daughter. He has taken the life of someone so full of youth and so oddly reminiscent of his daughter.
Without the sacrifice of this boy Karin's father (and much less the audience) would have never felt the consequences of his actions. Without this boy's presence in the film Karin's father would have never felt the remorse he needed in order to plea forgiveness to God and to promise to build a church in His name.
Although the boy's death serves as sacrifice, Karin's father's actions serves as an act of vengeance. "The only satisfactory revenge for spilled blood is spilling the blood of the killer." "Vengeance is an interminable, infinitely repetitive process." This repetitive process of vengeance started with the death of Karin and would have continued if not for the sacrifice of the boy's life- which put a stop to Karin's father's vengeance, for "sacrifice is primarily an act of violence without risk of vengeance." Although the boy's death was caused by an act of vengeance, his final sacrifice was what quelled the infinite repetition found in vengeance. It is in the blood of this innocent that God can be found once again, much like the sheep so often written about in the Bible (and how coincidental that the boy was a herdsman- or maybe it was not coincidental after all... hmm...).
In short, the death of this boy caused a moral turnaround. Without his presence in the film (which is very under appreciated) the plot would have not been allowed to progress as it had. "The purpose of sacrifice is to restore harmony to the community." This is exactly what the death of the boy (not necessarily Karin) was able to do.





I think the death of the boy absolutely causes a moral turnaround. Throughout the movie, the father is lax in his Christian faith (and is often chided by his wife for it) and often lapses into pagan rituals (the tree branches and the washing and all that). But at the end, he is crying out to the Christian God for forgiveness and pledging to build a Christian church. As for the boy himself, he possesses a strong sense of morality and drives the plot of the film. He is powerless to stop the evil, but it obviously torments him. He humanizes her and gives her the honor of a burial. He recognized that the father said the same prayer as Karin and reacts in moral outrage. I can't help but wonder if he was being hit in the night for confronting his brothers over the evil of their actions. Perhaps the knowledge of what had happened gave him the courage to stand up to the evil in his world? Remorse over his death certainly drives the family to redemption at the end as they all (symbolically) wash themselves clean of their deeds and start anew at the spring.
ReplyDeleteI think it is really interesting to look at the boy's death as the moral sacrifice of this film. As you have pointed out, Girard talks at times about the importance of sacrifice in terms of restoring harmony within community. While Karin's life is taken by the two older brothers, her death only seems to heighten the discord within the community of the film. The death of the two older brothers responsible for her death serves only as an act of revenge, and not a sacrifice. You're right in acknowledging that what separates the young boy from the older men is his innocence, and that is what makes his death important. As he is an innocent victim killed by the unyielding violence of a man who generally would not be associated with such acts, an equilibrium is reached.
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ReplyDeleteI too wondered about the significance of the boy in the film. Before reading this post, I failed to see him as a sacrifice or even THE sacrifice. I was left confused by the speech the man gave the little boy as he was laying down. He knew the scared boy's innocence and basically told him that things were about to get rough but ultimately everything would turn out fine. Because of this speech, I did not expect the boy to be killed. Looking at him as a sacrificial subject allows his place in the film and that one scene to make more sense to me.
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